

Goblin Market and Other Poems contained some of Rosetti’s best work. Critics also declared her the heir to Elizabeth Barrett Browning, the preeminent woman poet of the era. It also marked the first literary victory for the Pre-Raphaelite school. Though Rossetti previously published her work in national magazines, her first poetry collection, Goblin Market and Other Poems (1862), became a smash hit. “Goblin Market” became popular among critics and readers. Rossetti centered the relationships between women in many of her most famous poems, including “Goblin Market” and “Cousin Kate.” Many other institutions relied on punishment and hard labor. Mary Magdalene’s House believed its patients could redeem themselves through prayer and rehabilitation. Women sex workers faced legal and social discrimination.

Mary Magdalene House, which helped women involved with sex work re-integrate into society. She attended the Christ Church on London’s Albany Street with her mother and sister. Her mother was responsible for encouraging Christina’s famed religious fervor. Christina maintained strong relationships with other women throughout her life. Christina and Dante Gabriel’s upbringing shaped their shared interest in older forms of storytelling.Ĭhristina also received support from the Portfolio Society, a group of women writers who exchanged letters and aided each other’s work. Dante Gabriel co-founded the Pre-Raphaelites, a small circle of artists that celebrated Realism, social transgression, and Medievalism. Dante Gabriel supported his sister through their careers, offering edits and advocating for her work to publishers. While all four remained involved with the arts as adults, Christina and painter Dante Gabriel stay the most well-known. Thomas Keighley’s Fairy Mythology (1828) and Ann Radcliffe were incredibly influential for young Christina. The couple nurtured their four children’s intellectual curiosity throughout their childhood. Italian radical Gabriele Rossetti and English-Italian Frances Polidori welcomed Christina, their last child, in 1830. Woolf’s account of engaging with Rosetti’s work perfectly captures the strange gothic and earnest wonder of beloved Victorian poet Christina Rossetti. “ Christina Rossetti’s Literary Career.” Victorian Web, Victorian Web, 1988). And then, incongruously, a sound of scurrying and laughter is heard” (Cody, David. The 20th-century writer Virginia Woolf says the following about Christina Rosetti: “Death, oblivion, and rest lap round your songs with dark waves.
